Original Botanical Prints · Flowers
Antique Chromolithographs of Roses (Set of 2), 1914
No. f_46611802191427 × 37 cm
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Framed and on the wall
Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.
Flowers
Antique Chromolithographs of Roses (Set of 2), 1914
$385
€340 · £290
Original print, not a reproduction
A set of 2 sheets, sold together as one piece at this price. See all sets
Ships worldwide from the Netherlands, flat, insured and tracked. 14-day returns. To buy, use Ask a question (info@originalbotanicalprints.com) and we will reserve it for you.
- Date
- 1914
- Sheet size
- 14.6 × 10.6 in (37 × 27 cm)
- Condition
- Good. Both plates retain strong color and sharp detail. Very light toning around the outer margins consistent with age. Paper remains sound, with no tears or repairs noted. Excellent examples overall.
- Collection
- Flowers
- Era
- 1850 and after, Chromolithographs and plant hunters
- Stock no.
- f_46611802
Pair of Antique Rose Chromolithographs by Parsons & Willmott, 1914
This striking pair of chromolithographs originates from Ellen Ann Willmott’s monumental work 'The Genus Rosa' (1910 to 1914), illustrated by Alfred Parsons (1847 to 1920). As one of the greatest botanical publications of the early 20th century, it stands as the definitive study of wild and cultivated roses, often compared to Redouté’s 'Les Roses' for both scientific importance and artistic excellence.
The prints are sold unframed as a set of prints only.
Ellen Willmott (1858 to 1934) was celebrated as one of the most influential gardeners of her age. At her estate, Warley Place in Essex, she assembled an extraordinary collection of roses, supported by nearly ninety gardeners. Her collaboration with Alfred Parsons, a noted painter, illustrator, and garden designer, brought forth a series of plates that combined accuracy with elegance, offering an unrivaled visual record of the genus.
The first plate captures a wild rose branch with three blossoms in soft crimson-pink, accompanied by finely serrated leaves and thorned stems, a vivid reminder of the plant’s untamed character. The second plate portrays a more cultivated variety with multiple blooms, from tightly furled buds to a fully opened, richly layered rose. The juxtaposition of wild and cultivated forms highlights the diversity of the genus and demonstrates Parsons’ ability to render both delicacy and vigor in botanical art.
Condition report:
Both plates retain strong color and sharp detail. Very light toning around the outer margins consistent with age. Paper remains sound, with no tears or repairs noted. Excellent examples overall.
Framing tips:
This pair is ideally suited to be displayed together in matching frames. Ivory or cream mounts will enhance the freshness of the foliage, while dark wood or gilt frames add classical depth. Double matting with a thin green or soft rose-red line will draw out the tones of the blossoms and create a refined decorative presentation.
Technique: Chromolithograph
Maker: Alfred Parsons (artist), Ellen Ann Willmott (author), London, 1914
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