Original Botanical Prints
Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831
27.1 cm · 10.7 in
22.7 cm · 8.9 in

Original Botanical Prints · Herbs, spices & useful plants

Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831

No. f_48074382183122.7 × 27.1 cm

Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, view 2

Close-ups

Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, close-up 1Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, close-up 2Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, close-up 3Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, close-up 4Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, close-up 5

Framed and on the wall

Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, shown framedAntique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, shown framed on a wall, true to sizeAntique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, shown framed in a room, true to size

Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.

Herbs, spices & useful plants

Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831

$890

€790 · £670

Original print, not a reproduction

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Date
1831
Sheet size
10.7 × 8.9 in (27.1 × 22.7 cm)
Condition
Good. Moderate toning with light discoloration consistent with age. Image remains clear and intact.
Collection
Herbs, spices & useful plants
Era
1800 to 1849, The golden age of botanical art
Stock no.
f_48074382

Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831

Description:

This finely detailed botanical engraving illustrates Swietenia Mahagoni, the mahogany tree, including its distinctive fruit and seed structures. Mahogany was among the most prized timbers of the 18th and 19th centuries, valued for furniture, shipbuilding, and architectural use.

The plate comes from Zenker’s Merkantilische Waarenkunde, where it represents plants of material and economic importance rather than purely ornamental interest. The emphasis on structure and usable material reflects the practical concerns of merchants, craftsmen, and manufacturers of the period.

Original hand coloring supports the clarity of the engraving without excessive ornament, resulting in a dignified and architectural image. This plate appeals particularly to interior designers, furniture historians, and collectors interested in material culture.

Condition report:

Moderate toning with light discoloration consistent with age. Image remains clear and intact.

Framing tips:

A natural linen mat and a walnut or dark oak frame complement the subject’s association with fine woodwork.

Technique: Copper engraving with original hand coloring

Maker: Jonathan Carl Zenker, Germany, 1831 to 1832