Original Botanical Prints
Beautiful Pair of Vintage Botanical Flower Prints, incl a Flame Tulip, 1828
21 cm · 8.3 in
17 cm · 6.7 in

Original Botanical Prints · Flowers

Beautiful Pair of Vintage Botanical Flower Prints, incl a Flame Tulip, 1828

No. f_47449112182817 × 21 cm

Beautiful Pair of Vintage Botanical Flower Prints, incl a Flame Tulip, 1828, view 2Beautiful Pair of Vintage Botanical Flower Prints, incl a Flame Tulip, 1828, view 3

Close-ups

Beautiful Pair of Vintage Botanical Flower Prints, incl a Flame Tulip, 1828, close-up 1

Framed and on the wall

Beautiful Pair of Vintage Botanical Flower Prints, incl a Flame Tulip, 1828, shown framedBeautiful Pair of Vintage Botanical Flower Prints, incl a Flame Tulip, 1828, shown framed on a wall, true to sizeBeautiful Pair of Vintage Botanical Flower Prints, incl a Flame Tulip, 1828, shown framed in a room, true to size

Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.

Flowers

Beautiful Pair of Vintage Botanical Flower Prints, incl a Flame Tulip, 1828

$385

€340 · £290

Original print, not a reproduction

A set of 2 sheets, sold together as one piece at this price. See all sets

Ask a question

Ships worldwide from the Netherlands, flat, insured and tracked. 14-day returns. To buy, use Ask a question (info@originalbotanicalprints.com) and we will reserve it for you.

Date
1828
Sheet size
8.3 × 6.7 in (21 × 17 cm)
Condition
Good. Condition report: Excellent condition with rich, original hand coloring and crisp impressions. Light toning and minimal handling marks consistent with age. Plate marks clearly visible on all sides; verso blank.
Collection
Flowers
Era
1800 to 1849, The golden age of botanical art
Stock no.
f_47449112

Pair of Hand-Colored Botanical Engravings of Garden Flowers, London 1828

This exquisite pair of early 19th-century botanical engravings exemplifies the precision and grace of English natural history art during the Georgian period. Published in London in 1828 as part of The Botanic Garden, these beautifully hand-colored plates present a variety of ornamental flowering plants admired in both domestic gardens and botanical collections of the time. The engravings display the combination of fine linework, delicate shading, and subtle watercolors that made Benjamin Maund’s publication one of the most celebrated horticultural works of its era.

The left plate features the Blue Daisy (Xerothrix candollei), Zinnia (Zinnia elegans), Evergreen Daphne (Daphne sericea), and Yellow Henbane (Hyoscyamus albus). The right plate depicts the Indian Alkanet (Anchusa indica), Pink Restharrow (Ononis hircina), Flame Tulip (Tulipa gesneriana), and White Squill (Scilla italica). Each species is drawn with exceptional accuracy, its color harmonies delicately balanced to reveal the natural variety of form and tone. The tulip’s deep vermilion petals contrast beautifully with the pale blossoms of the white squill, while the pink zinnia and blue daisy provide a pleasing symmetry across the pair.

The Botanic Garden was designed not only as a reference for botanists but also as a source of aesthetic pleasure for collectors and gardeners. Each plant was chosen for its beauty and significance, representing both exotic introductions and familiar European species. The engravings reflect the era’s fascination with cataloguing the natural world through art, a blend of science, craftsmanship, and taste that continues to captivate collectors today.

Condition report: Excellent impressions with bright, original hand coloring. Light, even toning and faint handling marks consistent with age. Plate marks clearly visible on all sides; verso blank.

Framing tips: A beautifully balanced pair ideal for interior display, best framed in matching antique gold, dark wood, or ebonized frames with off-white or pale green acid-free mats. Their blend of blue, red, and pink tones makes them a striking focal point for a study, conservatory, or library wall.

Technique: Hand-colored engraving

Maker: Benjamin Maund, London, 1828