Original Botanical Prints · Flowers
Elegant British Botanical Trio, Hand-Colored Wild Carrot Prints, England 1902
No. f_48152892190217 × 26 cm
Framed and on the wall
Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.
Flowers
Elegant British Botanical Trio, Hand-Colored Wild Carrot Prints, England 1902
€290
$325 · £245
Original print, not a reproduction
A set of 3 sheets, sold together as one piece at this price. See all sets
Ships worldwide from the Netherlands, flat, insured and tracked. 14-day returns. To buy, use Ask a question (info@originalbotanicalprints.com) and we will reserve it for you.
- Date
- 1902
- Sheet size
- 10.2 × 6.7 in (26 × 17 cm)
- Condition
- Good. Very good antique condition. Light, even age toning to the paper, consistent with age. Minor scattered spots or faint marks may be present. Clean impressions with clear hand coloring. Plate marks visible where applicable.
- Collection
- Flowers
- Era
- 1850 and after, Chromolithographs and plant hunters
- Stock no.
- f_48152892
Title: Elegant British Botanical Trio, Hand-Colored Wild Carrot Prints, England 1902
Description:
This refined set of three original hand-colored botanical plates presents a harmonious study of wild carrot and related umbellifer species, arranged as a balanced horizontal trio ideal for interior display. The plates originate from English Botany; or, Coloured Figures of British Plants, Third Edition, edited by John T. Boswell Syme and published in London by George Bell & Sons in 1902. Although issued in the early 20th century, the illustrations are based on the celebrated original drawings by James Sowerby and J.E. Sowerby, whose work defined the visual language of British botanical art for generations.
The three plates depict Great Hartwort (Tordylium maximum), Wild Carrot (Daucus carota), and Sea Carrot (Daucus carota var. gummifer), each shown with exceptional clarity. Fine engraved outlines are delicately hand-colored, highlighting the umbels, foliage, stems, and diagnostic botanical details with a restrained, natural palette. The compositions are elegant and airy, with generous negative space that allows each plant form to breathe, making the set particularly well suited to contemporary, Scandinavian, or classic interiors.
As a group, these prints offer both scientific coherence and strong decorative appeal. Displayed together, they create a rhythmic progression of form and color, ideal above a console table, sofa, or within a kitchen, dining space, or study. The timeless aesthetic of English botanical illustration bridges traditional scholarship and modern interior design, appealing equally to collectors and interior designers.
Condition report:
Very good antique condition. Light, even age toning to the paper, consistent with age. Minor scattered spots or faint marks may be present. Clean impressions with clear hand coloring. Plate marks visible where applicable.
Framing tips:
Beautifully suited to individual mats within a single wide frame or three matching frames. Opt for off-white or soft ivory matting to complement the paper tone, paired with light oak, walnut, or matte black frames for a refined interior look.
Technique: Hand-colored engraving
Maker: James Sowerby & J.E. Sowerby (after), England, published London 1902
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