Original Botanical Prints
Floral Elegance: A Collection of Hand-Colored Engravings from 1845
26.5 cm · 10.4 in
17.5 cm · 6.9 in

Original Botanical Prints · Flowers

Floral Elegance: A Collection of Hand-Colored Engravings from 1845

No. f_37692752184517.5 × 26.5 cm

Floral Elegance: A Collection of Hand-Colored Engravings from 1845, view 2Floral Elegance: A Collection of Hand-Colored Engravings from 1845, view 3Floral Elegance: A Collection of Hand-Colored Engravings from 1845, view 4Floral Elegance: A Collection of Hand-Colored Engravings from 1845, view 5

Close-ups

Floral Elegance: A Collection of Hand-Colored Engravings from 1845, close-up 1Floral Elegance: A Collection of Hand-Colored Engravings from 1845, close-up 2

Framed and on the wall

Floral Elegance: A Collection of Hand-Colored Engravings from 1845, shown framedFloral Elegance: A Collection of Hand-Colored Engravings from 1845, shown framed on a wall, true to sizeFloral Elegance: A Collection of Hand-Colored Engravings from 1845, shown framed in a room, true to size

Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.

Flowers

Floral Elegance: A Collection of Hand-Colored Engravings from 1845

€440

$495 · £375

Original print, not a reproduction

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Date
1845
Sheet size
10.4 × 6.9 in (26.5 × 17.5 cm)
Condition
Good. Good condition. Please study the images carefully. Minor toning due to age and handling, especially around the edges.
Collection
Flowers
Era
1800 to 1849, The golden age of botanical art
Stock no.
f_37692752

The engravings presented here are exquisite botanical illustrations from the 'Dictionnaire Classique des Sciences Naturelles', an authoritative work published in Brussels in 1845 under the editorship of the Belgian naturalist Pierre Auguste Joseph Drapiez. This dictionary was a monumental assemblage of natural sciences, standing on the shoulders of giants such as Buffon, Daubenton, Lacepede, Cuvier, and de Jussieu.

Each print in this collection captures the delicate intricacies of its subject with remarkable accuracy and artistic finesse, consistent with the illustrative standards of the time. The first print displays the vibrant 'Portulaca Thellusonii,' a testament to Drapiez's dedication to scientific detail. The second print features the radiant 'Cheiranthus Cheiri,' commonly known as Wallflower, depicted with precision and care. The third and final print in the trio showcases 'Aeschynanthus Grandiflorus,' a plant whose striking appearance is brought to life through the engraver's skilled hands.

These hand-colored engravings are more than just visual delights; they are educational tools designed to complement the comprehensive text, providing scholars and naturalists with visual representations of the subjects discussed. Drapiez’s commitment to scientific authenticity is evident in each stroke and hue, ensuring that each plant is not only aesthetically pleasing but also botanically precise.

The images serve as a bridge between art and science, capturing the essence of 19th-century natural history and the quest for knowledge. They are a valuable resource for understanding the natural world as it was perceived during a time of great explorations and discoveries in botany and biology.