Original Botanical Prints · Flowers
La Flore Décorative The Art Nouveau Elegance of Floral Ornamentation in 1896
No. f_43982212189635 × 50 cm
Close-ups
Framed and on the wall
Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.
Flowers
La Flore Décorative The Art Nouveau Elegance of Floral Ornamentation in 1896
$605
€540 · £455
Original print, not a reproduction
Ships worldwide from the Netherlands, flat, insured and tracked. 14-day returns. To buy, use Ask a question (info@originalbotanicalprints.com) and we will reserve it for you.
- Date
- 1896
- Sheet size
- 19.7 × 13.8 in (50 × 35 cm)
- Condition
- Good. Good condition, with only minor signs of aging such as light toning along the edges. The colors remain vivid, and the intricate details are well-preserved, maintaining the original vibrancy of the lithographic process .No visible tears or creases.
- Collection
- Flowers
- Era
- 1850 and after, Chromolithographs and plant hunters
- Stock no.
- f_43982212
What the condition grades mean
- Excellent
- Bright and clean, with no faults worth mentioning.
- Very good
- Only light signs of age, such as faint toning.
- Good
- Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
- Fair
- Clear faults such as staining, tears or repairs, priced to match.
Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.
La Flore Décorative The Art Nouveau Elegance of Floral Ornamentation in 1896
This collection of exquisite decorative prints from La Flore Décorative, published in 1896, exemplifies the artistic sophistication of the late nineteenth century. Each piece is a testament to the enduring appeal of floral-inspired ornamentation, featuring botanical elements intertwined with elaborate patterns. These designs reflect the height of the Art Nouveau movement, which emphasized the fluidity of nature, intricate detail, and organic forms that seamlessly blended into architectural and interior decorations.
The first print presents a harmonious arrangement of blooming geraniums, interwoven with delicate decorative elements. A ceramic vase adorned with floral motifs is gracefully placed within the composition, symbolizing the integration of art into everyday objects. The balance between natural floral arrangements and structured embellishments suggests its potential application in textile design, wallpaper, or ceramics. The muted background tones create depth, allowing the intricate details of the flowers and vines to emerge vibrantly.
The second print highlights the elegance of horse chestnut blossoms and climbing vines, intertwined with panels of textile-inspired patterns. A semicircular architectural motif, adorned with yellow flowers and deep green foliage, frames the composition, evoking the grandeur of decorative friezes found in turn-of-the-century interiors. The inclusion of different fabric swatches hints at the print’s function as a reference for designers working in various artistic disciplines, from embroidery to wallpaper production. The subtle variations in color and shading demonstrate the artist’s meticulous attention to botanical realism while maintaining the stylized beauty characteristic of Art Nouveau.
The third print showcases a more elaborate ornamental composition, where cascading wisteria and blooming roses intertwine with detailed architectural elements. The presence of scrolling ribbons and decorative fabric panels suggests its role as a study in applied art, guiding craftsmen in the creation of tapestries, decorative borders, or interior motifs. The soft pastel hues of the flowers contrast elegantly with the structured framework, embodying the delicate balance between nature and design. The print’s sophisticated use of space and perspective creates a sense of movement, guiding the viewer’s eye through its rich details.
These prints capture the essence of late nineteenth-century decorative art, where beauty and functionality were seamlessly intertwined. The influence of Japonisme, with its asymmetrical compositions and delicate floral renderings, is evident in each piece, reflecting the widespread admiration for Japanese aesthetics during this period. Their refined compositions make them not only valuable historical artifacts but also timeless decorative pieces suitable for modern interiors.
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Condition Summary and Framing Tips
Condition
These prints are in good condition, with only minor signs of aging such as light toning along the edges. The colors remain vivid, and the intricate details are well-preserved, maintaining the original vibrancy of the lithographic process. There are no visible tears or significant creases, ensuring their value as collectible works.
Framing Tips
To highlight the intricate floral details and Art Nouveau elegance, a gold or antique brass frame with subtle ornamental detailing would be a fitting choice. A double mat in soft cream or pale pastel shades will enhance the delicate color palette without overwhelming the artwork. For preservation, museum-grade UV-protected glass is recommended to prevent fading over time. These prints would be striking when displayed together as a triptych, emphasizing their shared aesthetic while allowing each piece’s unique elements to shine.
