Original Botanical Prints
Set of 2 Original Antique Prints of various Pears and Apples, c.1835
28.8 cm · 11.3 in
23 cm · 9.1 in

Original Botanical Prints · Fruit & vegetables

Set of 2 Original Antique Prints of various Pears and Apples, c.1835

No. f_32317622183523 × 28.8 cm

Set of 2 Original Antique Prints of various Pears and Apples, c.1835, view 2Set of 2 Original Antique Prints of various Pears and Apples, c.1835, view 3

Close-ups

Set of 2 Original Antique Prints of various Pears and Apples, c.1835, close-up 1

Framed and on the wall

Set of 2 Original Antique Prints of various Pears and Apples, c.1835, shown framedSet of 2 Original Antique Prints of various Pears and Apples, c.1835, shown framed on a wall, true to sizeSet of 2 Original Antique Prints of various Pears and Apples, c.1835, shown framed in a room, true to size

Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.

Fruit & vegetables

Set of 2 Original Antique Prints of various Pears and Apples, c.1835

$405

€360 · £305

Original print, not a reproduction

A set of 2 sheets, sold together as one piece at this price. See all sets

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Date
1835
Sheet size
11.3 × 9.1 in (28.8 × 23 cm)
Condition
Good. Wear consistent with age and use. General age-related toning. Shows minor wear and soiling, blank verso. Please study images carefully.
Collection
Fruit & vegetables
Era
1800 to 1849, The golden age of botanical art
Stock no.
f_32317622

Set of 2 antique prints of various pears and apples. It shows the Downton Pear, Rouse Lench Pear, Eastnor Castle Pear, Monarch Pear, and the Malcarle or Charles Apple. These prints originate from 'Transactions of the Horticultural Society of London' published circa 1835.

In Transactions of the Horticultural Society of London we find some of the most beautifully illustrated and vibrant botanical and fruit prints in botanical illustration. Many prominent artist of the day contributed to the work, including W. Hooker, Mrs. Withers, J. Robertson, B. Cotton, E. Smith and more.

For the first time in England, steel plates were used for the engravings, along with a variety of techniques including mezzotint and hand coloring. The prints are also enhanced with gum arabic so the fruits almost glisten.