Original Botanical Prints · Flowers
Pair of Hand-Colored Botanical Engravings of Roses & Spring Flowers, London 1828
No. f_47449172182817 × 21 cm
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Framed and on the wall
Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.
Flowers
Pair of Hand-Colored Botanical Engravings of Roses & Spring Flowers, London 1828
€340
$385 · £290
Original print, not a reproduction
A set of 2 sheets, sold together as one piece at this price. See all sets
Ships worldwide from the Netherlands, flat, insured and tracked. 14-day returns. To buy, use Ask a question (info@originalbotanicalprints.com) and we will reserve it for you.
- Date
- 1828
- Sheet size
- 8.3 × 6.7 in (21 × 17 cm)
- Condition
- Good. Condition report: Excellent impressions with bright original hand coloring. Light, even toning and faint handling marks consistent with age. Wide margins with visible plate marks on all sides; verso blank.
- Collection
- Flowers
- Era
- 1800 to 1849, The golden age of botanical art
- Stock no.
- f_47449172
Pair of Hand-Colored Botanical Engravings of Roses and Spring Flowers, London 1828
This charming pair of early 19th-century botanical engravings exemplifies the grace and precision of English botanical art during the Georgian period. Published in London in 1828 as part of The Botanic Garden, these hand-colored prints present a delightful variety of roses and spring-blooming flowers, combining scientific accuracy with artistic refinement. Each species is finely engraved and delicately colored by hand, producing an enduring harmony of natural beauty and technical skill.
The left plate features the Pink Rose (Rosa indica), Spring Snowflake (Leucojum vernum), Large Bellwort (Uvularia grandiflora), and Michaelmas Daisy (Aster amellus). The right plate depicts the Marsh Marigold (Caltha palustris), Snow Phlox (Phlox nivalis), Scarlet Windflower (Anemone hortensis), and Siberian Squill (Scilla siberica). The vivid pink and red blossoms contrast beautifully with the soft whites, yellows, and blues, capturing the freshness and optimism of spring.
Benjamin Maund’s The Botanic Garden was among the most admired horticultural publications of its time, designed to appeal to both amateur gardeners and collectors of fine natural history illustration. The engravings were printed in London and carefully finished with watercolors to ensure botanical authenticity while retaining artistic warmth. The clear composition and delicate linework of these prints make them superb examples of early 19th-century British engraving and color work.
Condition report: Excellent impressions with bright original hand coloring. Light, even toning and faint handling marks consistent with age. Wide margins with visible plate marks on all sides; verso blank.
Framing tips: A delightful and elegant pair, ideal for framing in matching antique gold or walnut frames with off-white or soft green acid-free mats. Their pastel tones and floral balance make them especially suited for display in a drawing room, conservatory, or bedroom.
Technique: Hand-colored engraving
Maker: Benjamin Maund, London, 1828
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