Original Botanical Prints · Flowers
Tree Rhododendron: An Original Hand-Colored Engraving from 1845
No. f_37693232184517.5 × 26.5 cm
Framed and on the wall
Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.
Flowers
Tree Rhododendron: An Original Hand-Colored Engraving from 1845
€240
$270 · £205
Original print, not a reproduction
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- Date
- 1845
- Sheet size
- 10.4 × 6.9 in (26.5 × 17.5 cm)
- Condition
- Good. Good condition. Please study the images carefully. Minor toning due to age and handling, especially around the edges. Right margin is a bit short, but leaves enough space for matting or framing.
- Collection
- Flowers
- Era
- 1800 to 1849, The golden age of botanical art
- Stock no.
- f_37693232
This hand-colored engraving from the 'Dictionnaire Classique des Sciences Naturelles' presents the 'Rhododendron Arboreum', commonly known as the Tree Rhododendron. The illustration is imbued with the essence of the 19th century's dedication to the natural sciences, a time when the intricate beauty of flora was meticulously captured through the art of engraving.
Pierre Auguste Joseph Drapiez, the Belgian naturalist and author, would have directed the creation of this work with a commitment to scientific accuracy, endeavoring to provide a faithful representation of the Tree Rhododendron, which is known for its strikingly large and vibrant blooms. This species, with its lush, evergreen foliage and mass of flowers, is a symbol of the Himalayas, where it grows in abundant splendor.
In the context of Drapiez's 'Dictionnaire', this engraving would have served as more than a mere illustration. It was an educational resource, providing a visual companion to the detailed descriptions within the text. By combining artistic precision with the scientific knowledge of the era, Drapiez sought to contribute to the wider body of work built by eminent naturalists such as Buffon, Daubenton, Lacepede, Cuvier, and de Jussieu.
The image's lifelike portrayal, from the velvety texture of the petals to the robust structure of the leaves and branches, reflects the era's illustrative style, where scientific phenomena were not only explained but also brought to life on the page. It is likely that this engraving, along with others in the volume, would have been a treasured resource for scholars and plant enthusiasts of the time, and it remains a valuable historical document for contemporary botanists and historians of science.
As part of the 'Dictionnaire Classique des Sciences Naturelles', this engraving of the Tree Rhododendron stands as a testament to the 19th-century quest for knowledge and appreciation of the natural world. It encapsulates the period's spirit of exploration and documentation in the field of botany, reflecting Drapiez's dedication to the intersection of art, science, and education.
